Film & Television Editor

Kari
Lindsay

Picture, story, and sound.

One line on what you do and what you're after — the sentence you'd say if someone asked at a wrap party.

Outlook

A short headline about how you approach the work.

Three or four sentences in your own voice. Not a résumé summary — a point of view. What you listen for. What you think makes a cut land. What kind of project you want handed to you next.

Optional second paragraph if the first runs long. Specific beats general every time: name the thing you actually do, not the category it falls under.

Station log

Secret Space UFOs: Fastwalkers

One paragraph. What the project was, what you were handed, and one specific problem you solved in the cut. This is the part that does the hiring — a title alone is something IMDb already gives them.

View on IMDb

Next credit from your résumé

Duplicate this block for each credit worth showing. Leave out anything that reads as filler.

Instruments

Editing

Formats you cut, systems you work in, what you're fastest at.

Writing

Scripting, story structure, narration — whatever's true.

Sound mixing

Mix work, sound design, how far you take a project before it goes to post.

Contact

Currently taking on work.

Reach out about editing, story, or sound.